Instruments of Rapture

Graeme Clark has the soul fire within him. Hailling from Glasgow, he started making records as a teenager with his dad’s old drum machine and a sampler, under the influence of rock, soul, funk and early rave. Just a look on The Revenge’s website shows just how prolific he’s been. With releases on labels such as Under The Shade/Jiscomusic, Modernista, UK label Five20East, his L.E.S.S. productions imprint as OOFT with Ali Herron, and his own vinyl-only Instruments of Rapture. Also releasing under the aliases Burnt Island Casuals and the 6th Borough Project, his influence on a track is instantly recognisable by soulful, smooth-tempo beats mixed with classic samples that you can’t help but dance to, including Stevie Wonder’s Love Light In Flight, and Michael McDonald’s I Keep Forgettin’ (Every Time You’re Near).

His remix of Ryo Murakami’s Just For This features on the second installment of Steve Bug’s label Dessous‘s Best Kept Secrets, and he’s playing all over Europe in May, including the Warm & Discovery Bank Holiday Day and Night this Sunday at the Horse and Groom in Shoreditch. A barbeque all day and music all night; sounds pretty good to us.

We had a quick chat.

Hi Graeme, it’s a pleasure talking with you. You’re one of those artists who is involved in some way with what seems to be everything we post on One From The Vaults – mainly because I think we share your love of disco. How did you end up going down the disco route, did you listen to it as a child?
Ha ha … I don’t actually play that much disco. I think the ‘spirit’ of disco is maybe present in my sound, and with disco being the foundation of house and techno, it’s easier to incorporate all these elements into an evening if the audience has an open mind. But I like to think it’s more of an eclectic taste rather than a purist one.

If you could bring one of the icons of the disco era back from beyond the grave to work with, who would it be?
Larry Levan seemed to be an advocate of that of sense of eclecticism, in that he played what he felt the audience could use to take them another step on that journey through the night. Even if sometimes it was challenging, he was known to drop all kinds of music during the evening and that really appeals to me. Music without barriers.

6th Borough, Burnt Island Casuals AND The Revenge, can you categorise the differences, eg. Is Burnt Island Casuals your up-tempo hat? There are often releases on more than one at the same time, do you find it hard to switch production between them?
They are just different collaborations really. I work with Craig Smith on the 6th Borough Project stuff and I work with Harri (Sub Club) on the Burnt Island Casuals stuff. In that sense, it’s not hard to switch production hats as it’s a different dynamic in the studio every time and we just work with what is best for the track at the time.

You play all around the world and I see you’ve been away for a while, good to see you back for Bank Holiday! Did you have troubles with the volcanic ash?
My flights were cancelled but luckily I was in the UK so I got the train which I normally prefer, but the journey back to Glasgow from London on a Sunday is not for the faint hearted!

Where’s your favourite place to play?
Anywhere with an open-minded audience.

Your Regulate sample, amazing! You’ve managed to keep the integrity of an iconic track like that and yet make it sound fresh. How do you choose your samples and what’s your favourite so far?
Thanks. I’ve always loved the Michael MacDonald track that Regulate samples – it was just a combination of the two. It’s just a gut reaction on a track. If I think there is something I want to do to a piece of music to fit it into the context of a set, then that’s usually a good starting point. Can’t really put my finger on a favourite though.

So projects for 2010 – remixes, EPs, performances?
Loads! … you’ll be sick of me if you aren’t already.

See you on the Horse and Groom roof for a burger!
For sure. I’ll bring the sauce.

The Revenge – Delusions of Grandeur podcast mix, Feb 2010

Carte Blanche House Party Mixtape

We’re really excited about seeing Riton and DJ Mehdi AKA Carte Blanche play at Fabric next week. I’ve been spotting the pair walking around Camden together, and it’s good to see that they’ve been taking a little time while in London to mix up a little tape for our enjoyment.

Mehdi says:

My Peoples,

Couldn’t be more thrilled to present you this HOUSE PARTY MIX, mixed by RITON and yours truly aka CARTE BLANCHE.

We made this thinking of what could be the best thing to play at your house, on a friday night, when your friends are bumrushing your flat and your neighbours/parents/neighbourhood cops are out of town.

Download it here:
Carte Blanche’s House Party Mix

Their first EP Black Billionnaires is released on Ed Banger 31 May.

Woody’s Roundup

The first of our May Bank Holidays and, as expected, there is a Summer theme to the events planned. Cue the use of our favourite type of venue; the car park.

Last night the DeadFish Audio gang celebrated Mowgli’s birthday in the best way they know how, by throwing a huge party at Public Life. The secret guest was no less than Groove Armada, and the atmosphere was pretty electric as the crowd – hanging off every ledge in the place – joined Solo in singing Happy Birthday. I think there might be a few sore heads this morning.

There are so many amazing things coming up this weekend I might have to list them:
Tonight:
Trouble Vision at Corsica Studios with The 2 Bears and Toddla T, to launch Raf Daddy and Toddla’s new label Girls Music.
Dummy Mag birthday at The Macbeth with Stopmakingme

Saturday:
Planet Turbo at the Coronet with Tiga, Erol Alkan and Boys Noize
Chew the Fat and Urban Nerds present Londinium at Ewer Street Car Park with Fabio & Grooverider and A1 Bassline

Sunday:
Old Queen’s Head All Day-er with Evil Nine and New Young Pony Club

Eastern Electrics at the Union Car Park in Great Suffolk Street
The Revenge is performing at the Horse and Groom in Shoreditch – it’s a barbeque all day, then music until 3am. Not bad!

As if that wasn’t enough, the crazy crew at Fabric are repeating their marathon session On & On…& On from Saturday night until Monday night. I feel a little sick just thinking about it…

Here’s a few summery songs that have provided pleasure this week: Woody VIII
Classixx & Villains feat o8o – I’m on it
Still Going – Spaghetti Circus
Penguin Prison – The Worse It Gets (Dirty Disco Remix)
The Pipettes – Stop the Music (Justus Kohncke Kompakt Remix)
Lo-Fi-Fink – Marchin In (Astronomer Remix)
Disco Deviance – Don’t (Social Disco Club Remix)
Tiga – What You Need (A-Trak Remix)

And seeing as it’s Friday night, and this is excellent, here’s a bonus for you from Bang Gang’s Cassian. Cassian can do no wrong in my eyes, since I heard his remix of label mates Bag RaidersShooting Stars. This mix has a pretty-pretty ending, with Sing for Anna into the Mighty Mouse remix of The Living.
Cassian – Mr Friday Night mix
Mr Friday Night Intro – Cassian
This Love Is Real – Nightriders
Hot Damn – Senor Stereo
Perro Loco (Solo Remix) – Forro In The Dark
Calypso – Round Table Knights
Hit Me (Super Rookie Remix) – Telonius
The Electronic Bump (Leon Du Star Remix) – Bryan Jones
Love Long Distance (Riva Starr Remix) – The Gossip (Beni Edit)
Grow Up (Cassian Remix) – Swick
Lies (Alex Metric Remix) – Fenech Soler
Time (Riva Starr remix) – X press 2
Can’t Stop Singing (Solo Remix) – Mowgli
Cruel Intentions (Dj Pierre Remix) – Simian Mobile Disco
Filter Disco Revival (Bryan Jones Remix) – Leon Du Star
Do What You Want – Nightriders
Sometimes (Shazam Remix) – Miami Horror
Minimood – Solo
What You Need (A-Trak Remix) – Tiga
1999 (Tim Green Mix) – Cassius
Get Funky – Pirupa
Friday Night – Cassian
Unintentional (U-Tern Remix) – Senor Stereo
I’ll Get You (Cassian Remix) – Classixx
Something Good Can Work (The Twelves Remix) – Two Door Cinema Club
Crave You (Cassian Remix) – Flight Facilities
Sing For Anna – Big Rodent
The Living (Mighty Mouse Remix) – Performance

The Little Bowski

Sounds like: boom bom boom bom boom clap boom

Thank you to Fake Blood‘s Wax:On Compilation for drawing our attention to Bowski. His name comes from The Big Lewbowski, and he aptly describes his music as ‘playful techno.’ That’s definitely fine by us, as he mixes carnival style sounds and silly titles such as Leggings and Flip Flop with heavy, menacing bass that drops exactly where you want it to. It’s not hard to see why Theo Keating is a fan.

Catch him playing this Friday 30 April with Fake Blood at Wax:On at the Mint Club in Leeds.

Bagheera – Circadian Clock (Bowski Remix)

If you fancy a bit more, here’s a little podcast mix:
Wax:On Podcast 018 – Introducing Bowski.
You can hear Leggings 38 minutes in.

Track for the Day: Mystery Jets

Mystery Jets are releasing their third album Seratonin on 5 July, so they’ve been kind enough to give us a free taster of the single Flash a Hungry Smile.

It’s been two years since Twenty One, and this time they’ve worked with Chris Thomas, (production master for The Beatles and Pink Floyd). To coincide with the album release they’re playing open air at Somerset House on 8 July, as well as numerous dates around the UK throughout May and June.

Flash a Hungry Smile is a really lovely summery whistly tune. Get it here.

From Lithuania With Love

Mario Basanov is responsible for the kind of beautiful records that you catch snippets of floating on a breeze, or that quietly enter your subconscious on a sunny day. Crystal clear vocals fuse with sparing yet sensitive bass just perfect for a Sunday afternoon.

His real name is Marijus Adomaitis, and he’s a secret genius, producing for an array of other artists, ranging broadly from jazz records, to pop, to his own style of deep house. His studio work is included in the Metal on Metal remixes of Kissy Sell Out‘s Her, Bloc Party‘s Flux and New Young Pony Club‘s Ice Cream.

We began to take notice when we heard the very lovely I’ll Be Gone, and other tracks to go and check out are: Caribbean Girl (Ilya Santana Remix), In My System (Make You Move) featuring Kathy Diamond, and Who’s Shot the Silence (released in 2009 as a limited 1000-copy edition).

He’s working with Australian label Future Classic (also home to Classixx), and their Après 4 Compilation Ep combines the wonders of Basanov, Arithmatix! and The 6th Borough Project. They call it ‘slo mo noughties house,’ and it is indeed perfect for the après party.

The latest Mario Basanov partnership is with fellow Lithuanian Vidis, and their first single Test came out as an exclusive download with Juno yesterday. The first album is due for release in June, so to celebrate they have their UK debut at the beautiful Adam Street Members Club near The Strand on 14th May.

Have a listen:

Mario Basanov – Who’s Shot the Silence? (aout6 sweaty remix)

Mario Basanov – Do You Remember (Arithmatix! Remix)

Do You Wanna Funk?

Don’t you just hate it when you’re going about the minutae of daily life and suddenly a track comes on the pod that makes you gasp and look around for someone to grab, and there’s no-one to share it? Well I might have frightened some members of the public this weekend in a well-known supermarket chain by gesticulating wildly before running from the shop to get home to my stereo.

It all started a long time ago, with a film called Trading Places. Vagabond and petty thief Billy Ray Valentine is plucked from the streets and installed in silver-spoon banker Winthorpe’s sick crib, and of course, the first thing he does is have a huge party. Drinks are spilled, it all gets a bit rowdy, and eventually tops come off to some funky disco sounds. Since disco fever came over us again I’ve been secretly hoping to hear this party soundtrack somewhere, and imagine my delight when the man to end my long wait is none other than Mr. Rory Phillips.

The track is Do You Wanna Funk, by legendary disco production partnership Patrick Cowley (also making an occasional appearance in Rory’s sets with Megatron Man) and Sylvester (responsible for You Make Me Feel (Mighty Real)). Absolute distilled disco. You can hear it 1hr and 17minutes into this mix from Rory’s podcast. However, by no means should you fast forward the rest of the mix, as it is an unadulterated pleasure from start to finish – including favourites from James Curd and Prince.

Rory Phillips – Recorded Live in Athens, 19-03-2010

I recommend downloading ALL the mixes you can get your hands on by Rory Phillips. Go to ALL his gigs, buy ALL his records. You’ll find yourself going about your business with a silly grin on your face.

Here’s Rory playing Do You Wanna Funk alongside Erol Alkan at the LCD Soundsystem Afterparty at Plan B in Brixton this weekend. Double hand clap!

Do you wanna funk?

Road BLOC

I wanted to post this verbatim from the people behind BLOC, as I think it accurately summarises the ethos behind the already-legendary BLOC parties, and provides a mantra for what partying should be all about. Forget corporate cashing in – this is about people sharing the music they love, any way they can.

BLOC DJs are playing this Sunday 2 May at the thrice-yearly Eastern Electrics at the vast Union Car Park in Suffolk Street. Get tickets here.

BLOC started in an attic above a bad nightclub next to a river in Norwich. We were so young we weren’t allowed in to set up because the bouncers didn’t believe we were eighteen – which is fair enough because we weren’t. In between interminable equipment failures we bust out the dance floor electro and techno bass from Detroit, Miami and London that we had been hearing on trips to London at clubs like WANG and The Haywire Sessions.

Everybody who goes to underground club nights likes them – they’re brilliant – but there was something about it that just spoke to us. We alternated between getting the train to London where we’d go to these hi-tech parties in the East End with going to rig-it-yourself raves on old pig farms in Norfolk on the weekends in between.

BLOC was us matching up the DIY ethos behind setting up sound systems in unexpected places with the the white-hot sounds we were hearing in the big city. So we set up parties in windmills, in boats on the Broads, in ex-military bunkers and in fields during the summer months in Norfolk and then spent the rest of the year getting BLOC moving as a club night in our new adoptive home of Brighton.

Times were hard in Brighton. We were totally and utterly broke, sharing a five bedroom house with 26 people and racks of audio equipment. We used to ride to and from the Volks nightclub on old ladies bikes that we had found in the street, handing out home-made flyers. But it was all we cared about and we went at it as hard as we possibly could, flyering, postering, partying and signing-on with a vengeance.

BLOC built up a head of steam quickly in Brighton. The people rose up and responded to our heart-felt immersion in the underground sounds we were pushing once a month at the Volks club. We never really had any superstar guests, but soon we were mobbed down on the seafront every month without fail. When the club shut in the morning everyone would spill out on to Brighton beach and carry on till it was time to go back to ours.

Well anyway when you’re on to a good thing you feel it and we realised that BLOC was on a roll. Every month when we threw a BLOC club night it ended up lasting all weekend anyway – more people were getting turned away than could get in the Volks and besides, we knew that back home there was a cash strapped Pontins holiday park out in the forgotten hinterland of coastal south Norfolk. In 2006, on a whim, we cancelled the milk, packed up our records, got in the Volvo and bombed back to Norfolk. Holed up in a wooden Gypsy caravan deep in the wilderness, we carefully plotted BLOC’s next move. We made that caravan our office for more than two years and by the end of our stay there, we had fixed most of its leaks and were happily convinced that we’d managed to kill the mouse.

Festival promoters at that time underestimated the fervent desire of the masses to bear witness to fine, powerful music that reaffirmed themselves as participants in the human race. What was offered, especially to the UK festival market, was an unending slurry of pap featuring the same inoffensive headliners, belting out the seasons vom-along anthems at increasingly forgettable plots of waterlogged land outside provincial towns. Everything closed early, the beer was warm and it was impossible to watch the highlights without wondering if there was a single soul coming close to enjoying themselves. Many of these festivals are bankrupt now.

We thought, just go all-out. Take the finest underground acts on Earth, get hold of a holiday park so that no one has to sleep face down in muddy brown water, run the thing right the way through till morning and bob’s your cousin’s mother’s live-in-lover. You’ve got a festival concept that’s so radical the public just will sit up and take notice.

We just believed so utterly that this would work, that when we sauntered into the bank and asked to borrow more money than I had ever dreamed existed, when they said yes, I wasn’t even surprised. Looking back, it takes my breath away that when we offered our cash flow forecast to the local business manager, he waved it away telling us “I don’t want to look at that. It’s boring”. The cheque turned up in the post soon after. I think that it might have been his last day in that job.

So went at it, throwing the bank’s money at what we were convinced was about to be the best rave the world had ever known. We were spellbound when Kool Keith and Autechre said, we like what you’re doing – we’ll headline your first ever festival. It was like year-zero, a bomb going off – BLOC went overnight from a wicked, chaotic, shambolic, overcrowded club on Brighton beach to a festival with an international reach and superstar headliners. BLOC 07 sold out capacity, and just to show it wasn’t a fluke we repeated the trick in 2008.

Then, it was like the Volks all over again. We were selling out way in advance, and besides wanted to showcase more music than the three original stages would allow. So much music was blowing up all around us and if we were going to give the public a healthy dose of all of it, we just needed more stage time and a substantially increased capacity. So, we upgraded to the Butlins resort in Minehead. Now we’re playing with six stages, 6000 people, a hundred+ acts, three nights – it’s enough to make your head spin but honestly, and truthfully – the soul of it still feels a bit like that first attic in
Norwich.

Top five BLOC venues of all time, in no particular order;
1. The seven-floor, fully intact coastal windmill, complete with wild Norfolk ravers dancing on the top of it, clinging to the sails in the middle of a gale.
2. A working Paddle Steamer which chugged several hundred of us round the Norfolk Broads one Summer eve with a couple of bars, a pair of decks, a grossly oversized sound system for the occasion and a visibly anxious Captain.
3. Volks nightclub on the Brighton seafront – abandon hope, inhibitions and any thoughts you may have of returning to work at any time in the following week. The mezzanine DJ platform once memorably collapsed midway through and landed on my boss’ head. I stopped working at the call centre that weekend to do BLOC full time.
4. Pontins in Hemsby – sadly, BLOC finished this place off. It never really recovered from the festival that was held there in 2008 and had to close its doors for good soon after.
5. Butlins resort in Minehead – like Moses leading his people to the promised land, BLOC has now arrived at the most futuristic hyperleisure complex in the planet. It’s a small town built up around five interconnected super clubs.

Woody’s Roundup

Tonight London’s party scene is nothing short of colossal, and as is often the way, we wish we were omnipresent. The focus is on the South London renaissance, with Together at the Coronet showcasing Cassius, In Flagranti and Kavinsky, Disco System at Brixton Jamm featuring DFA beauties Mock & Toof and Ray Mang, and the opening of the new Peckham Palais, providing a 1000-capacity home for the art-meets-music community of the area, spearheaded by LuckyPDF and the Off Modern crew. DFA have a finger in this pie too, with their man Ben Rymer joining 1-of-The 2 Bears Raf Daddy and a host of live acts. Tomorrow we remain South, at Brixton’s Plan B for the official LCD Soundsystem Afterparty, presented by Durr and featuring our favourites Disco 3000 and the king of uplifting disco Rory Phillips. There’s a flurry of LCD Soundsystem activity before the new album This Is Happening is released on 17 May, and as frontman James Murphy is co-founder of DFA, he’s proving their ability to soundtrack a monumental party.

However, one mustn’t overlook Fabric, who celebrate the launch of Duke Dumont‘s latest contribution to the Fabric Live CD collection, by inviting the Duke, Jesse Rose and newest resident Solo (congratulations are in order) to Farringdon.

Phew! Here’s some party tunes to get you going: Woody VII

Gorillaz – Superfast Jellyfish (Evil Nine Remix)
Sascha Braemer – Go Loco
Yolanda Be Cool feat DCUP – We No Speak Americano
Sinden and SBRKT – Midnight Marauder (on Sinden’s new Grizzly label)
Yelle – Je Veux Te Voir (Club-Club Mix)
The Swiss – Bubble Bath (Glimmers Plastic Edit)
White Lies – Farewell To The Fairground (Rory Phillips White Horse Mix)

Bonus: Jac the Disco‘s excellent April mix ahead of tonight’s set at Brixton Jamm. A shining example of the chime-adorned disco funk we’ve come to expect from them.
Jac The Disco – April Mix 2010 by Jac The Disco