Author Archives: Emily

Good Children Make Bad Grown Ups

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Kornél Kovács @Marie Laveau 02/09/2011 (www.levepr.com)

Kornél Kovács is one of the three driving forces behind the Swedish Studio Barnhus label, alongside the excellent Axel Boman and Petter Nordkvist. Last year was the real breakthrough year for the trio, with Axel Boman signing his Nattsud EP to Jesse Rose’s digital imprint Play It Down, dropping two well-received EPs (Europa and BARN 003) on his own Studio Barnhus label and his 2010 hit Purple Drank (Pampa Records) being played everywhere by everyone. In addition, Kornél Kovács released his name-making solo hit Down Since ’92 in October, a Studio Barnhus follow-up to his 2010 debut Baby Step.

Studio Barnhus has been releasing records since October 2010 when they launched with a joint EP, Good Children Make Bad Grown Ups (which featured Baby Step and Axel Boman’s Modern Fluids). Releases quickly followed with EPs from Shakarchi & Straneus, Acid Andy, Ex-Pylon, HNNY, Jesper Dahlback and, most recently, Radioactive Orchestra (a unique Axel Boman collaboration with nuclear physicists, Bo Cederwall and Torbjorn Back, and media artist Kristofer Hagbard, based on musical algorithms and models of radiation emitted from various isotopes!).

As is often the case these days, their sound is somewhat indefinable; another reason why Kornél Kovács’ new mix for DJB is well worth a listen. From the man who regularly uses samples from his childhood Casio keyboard, this mix takes on a well-worked fusion of two-step, acid, Detroit, his cheeky Swedish personality and everything in between…

Kornél Kovács – Mix for DJB

  1. Detroit In Effect – ‘Shake a Lil Faster’ (M.A.P.)
  2. Willie Burns – ‘Windows Down’ (Crème Organization)
  3. STL – ‘Death Proof’ (Something)
  4. Remute & Riley Reinhold – ‘Jah Wobble’ (Trapez)
  5. Knowing Looks – ‘Listen to My 45’ (WNCL)
  6. Bjørn Torske – ‘Langt Fra Afrika (Todd Terje’s Enda Lengre Miks) (Fra Afrika Altså)’ (Smalltown Supersound)
  7. Mu – ‘Let’s Get Sick’ (Output)
  8. Neil Landstrumm – ‘DS Attack’ (Peacefrog)
  9. Marcus Mixx – ‘U Blow Girl (Mouth Mix)’ (Unknown To The Unknown)
  10. Funkineven – ‘Iron Cloud’ (Apron)
  11. I:Cube – ‘Transpiration’ (Versatile)
  12. KiNK featuring Rachel Row – ‘Freakuency’ (Sharivari)
  13. Mary J Blige – ‘Searching For Some Real Love (Jacques Renault Edit)’ (On The Prowl)
  14. Pachanga Boys – Time (Hippie Dance)
  15. Shakarchi & Stranéus – Jamison (Studio Barnhus)
  16. Scala & Kolacny Brothers – I Touch Myself (PIAS)

The Eskimo Twins’ 2011 Mix Up

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The season of the Best of list is well and truly upon us. My iTunes has certainly benefited recently from multiple Top 2011 Albums lists and the odd gift voucher or two from distant relatives…

So, in the spirit of 2011 reflection, the lovely Eskimo Twins have sent us their fantastic End of 2011 Mix to get us up and out of the turkey haze and into the New Year party zone. It’s packed full of lovely memories and moments from a great year for electronic music. Enjoy!

Eskimo Twins – End of 2011 Mix
Tracklist:
Com.A- Fiction
Blondes – Pleasure
People Get Real – Deep Breath (Eskimo Twins Remix)
Art Department feat. Soul Clap & Osunlade – We Call Love (DJ Harvey Remix)
Todd Terje – Ragysh
Joakim & Krikor – Azid
Azari & iii – Reckless With Your Love (Tiga Remix)
Punks Jump Up – Chimes (Say Yes to Another Excess Remix)
Jaymo & Andy George – Midnight (Light Year Remix)
Moby – After (Paul Woolford Remix)
Gingy & Bordello – Body Acid (Kink’S On Acid Remox)
Shadow Dancer – Parallax
DJ Mehdi – Pocket Piano (Joakim Remix)

Droplet Affection

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Whether it was written inspired by these moments or to inspire them, there is no doubt that there is something spine-tinglingly Balearic about Ursa Minor’s beautifully executed debut single Droplet Affection. As Little Bear/Gabby Cooke’s stunning vocals soar over the dreamy backdrop of synthy house beats, you can’t help but be transported back to that unparalleled feeling you get as you witness the deep red sunrise of summer.

Ursa Minor are Little Bear, Yoshee, Alex and Evee. They have been getting a lot of attention across the blog world recently and they are now ready to place themselves firmly on your playlists in 2012. With a remix from the excellent Robert Owens in the pipeline and upcoming collaborations with the likes of Jozif and Mikill Pane of Manchester’s Murkage crew, it’s clear that Ursa Minor and Little Bear are no strangers to the dance world either.

They will be taking to the stage in Finsbury Park this Friday to launch the single, so get yourselves to the Silver Bullet to catch them in action at Finny P’s Ugly Xmas Jumper Party.

Droplet Affection was let loose on the world yesterday through Invader Music and it’s up for grabs here via iTunes, or here on Amazon. There’s a free stripped back version available here via Snipe London: Ursa Minor – Droplet Affection (Stripped) by snipelondon

A Chrome Gnome Fiasco

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The boys of Public House have been busy recently and we thought it was about time we caught up with them again, especially with some extra special treats on the horizon. Here’s resident Sidd on finding Aladdin’s cave, avoiding East London’s gurning perma-tans, the rise of the Chrome Gnome and their love of a good Fiasco…

Last time we spoke to you, back in February last year, you were gearing up to welcome Parisian DJ Yakine. There’s been a lot happening since then. How was that party and what have you been up to since then?

That party seems so long ago! It was a great party in one of our favourite locations under a noodle bar, it was perfect sized and had a great vibe. Joss and Craig absolutely drilled it out that night, great memories. What have we been up to since then? Eerrm, where do I start, since then we have given debuts to Dario Zenker, Waifs & Strays, Terje Bakke, Dana Ruh and brought Jef K back to London after a long absence. We did our first party in Berlin which was incredible, in a brilliant little club called Kleine Reise, the residents there also played a party with us over here and brought over Mathew Jonson‘s brother Hrdvsion which was great. We have started a side project called ‘The Fiasco’ which is a series of more intimate events that showcase our residents and allow us to bring in some of our friends to play. We did a great launch party at Vogue Fabrics in Dalston, a quirky basement owned by an amazing guy who is probably the most flamboyant character we have ever met. Since then we celebrated our second birthday in the cellar of a pub, did a Fiasco in an art studio in Aldgate on August Bank Holiday and we have a party on the 26th in a venue so weird we can’t really describe it, I think I called it Aladdin’s cave-meets-brothel, but that doesn’t do it justice. We really like doing these super intimate parties as it goes back to the start when we threw parties for our mates. They are always really special and lots of fun.

We have big things planned for the rest of the year a NYD party and an amazing booking for February, keep your eyes locked on our Facebook page for news on that. It’s been a mental few years but really great times, great people and great music.

We’ve always loved the distinctive Public House party spirit and its innovative venue choices. Since we last spoke to you, London has seen a huge increase in Warehouse venues and ‘TBAs’ on Resident Advisor. How are you guys making sure Public House still holds the key when it comes to throwing bloody good parties?

Well, I have always bitched about this (probably with a touch sour grapes), but it seems that everyone in East London runs a party! I’m not saying that we have the best DJ’s and promote the best parties in the world but I think that when we started Public House small parties were not so common place, we came into the scene with a fresh ethos and a concept which was unique at the time. Unique spaces, small capacity and bringing in artists for debuts, we build a trust and a reputation from nothing. With the close of many larger clubs (RIP The END) and also the mass popularity of house and techno in London it seems that there are so, so many nights on these days, you only have to look on RA on an average Saturday to see the volume of events on at a time.

The pond is only so big so we started doing parties less often and put more thought into the makeup of each one. I think people will put more effort in to work with you if they know there is something unique there, I mean who wants to go to a bar-cum-club, pay £10 entry to hear a guy with one signed track on a cool label who can’t string a DJ set together? Especially when you are surrounded by a crowd that resembles a greased up, gurning, perma-tanned mess! We now search, really search, for the perfect venue that provides the atmosphere which our crowd demand, and so they should, if they have to travel a bit farther so be it. It’s a labour of love so you really do get what you put into a party

Chrome Gnome is a production collaboration between two of the Public House residents – Finn Casey and yourself. How did this come about?

Finn had been producing for a few years on and off, but took the plunge to quit his job and go full time about a year ago. I had been tinkering on Ableton and we had spoken about joining forces so we decided to give it a go together. Finn is really the brains behind the operation, and he produces loads of different styles of electronic music with a few different people. I’m more the drunk guy in the background making stupid suggestions. We are still finding our style but in the last few months it has started to come together a bit more and we are starting to see the fruits of our labour.

The Chrome Gnome tracks we’ve heard so far breathe that cheeky kind of energy and bouncy fun that we relish. Can you tell us a bit about the Chrome Gnome sound, District Raw and what’s next up for you and Finn?

The Chrome Gnome sound, hmmm, so far it’s been a real smorgasbord, the track released on District Raw was called The Fiasco and tried to capture the energy of a Public House residents night. It’s normally pretty raucous! That worked really well but then currently we have been into a deeper and spacier style. So I’m struggling to really say that we have one particular sound. I think we will probably always change it up because, that’s what keeps the ideas flowing.

As for the District Raw connection, Fabio Giannelli who runs the label was our first guest, Public House was his UK debut and we have always stayed in touch. so when Finn and i felt we had something worthy of his ears we sent him a couple of tracks! Things kind of fell into place from there really, we are really proud to be on his label is it has a seriously solid back catalogue and he is a good guy to know! I won’t reveal give to many details but there are some more things in the pipeline with him, all of which are really exciting!

Next for me and Finn, probably polishing off a few tunes. Then we’ll focus on world peace, solving Finns debt crisis and ensuring we qualify for next year’s X-Factor.

Finally, give us the big sell for 26th November…

Our next event is on the 26th of November and promises to be a cracker, we have found a seriously weapons grade venue and I’m sure it’s gonna get wild!

Also, I have just done a Public House podcast to get your ears round…

And ‘like’ us on Facebook cos we have just secured another crazy space for February, with another UK debut lined up too!

You Can’t Buy Love?

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There have been a fair few moments this summer where we’ve found ourselves feeling inquisitive about the unique & intriguing sound waves gracing our ears. Aquarius Heaven has been one of them. After hooking up with the boys of DoP in 2005 in Paris, barely touched by the traditional 4/4 of dance music, Brian Brewster honed his hip hop and dancehall roots into something a little bit more distinctive. Something he recently described as wanting “to break all musical rules on this F*****G planet and make electronic music exciting like back in the Detroit days”.

From this meeting a musical partnership with DoP was born. Sometime later, DoP mixed the Watergate 06 album in June 2010. The mix included a collaboration between the two acts in Before You Go and simultaneously landed Aquarius Heaven on Berlin’s bursting roster of underground electronic talent.

May this year saw the Circus Company label, already aligned with the likes of DoP, release his first EP 7 Days as a 12”. Later this summer So Low, a track from the 7 Days EP, featured on Damian Lazarus‘ devastatingly dark, yet superbly captivating, Get Lost 4 compilation and really set alarm bells ringing in all the right places.

His latest EP, Can’t Buy Love, dropped on Wolf + Lamb in September; a label that, on many different levels over the past couple of years, have never shied away from challenging the existing boundaries of electronic music, in fact they’ve helped push them that little bit more…

As the spoken vocal of Can’t Buy Love hypnotises us to the sound of ‘…you can pay for sex, but you can’t buy love’, you can’t help but wonder whether Aquarius Heaven can achieve the same success as the weird and wonderful ramblings of Seth Troxler‘s curious mind.

After Can’t Buy Love appeared on Radio 1′s Essential Mix courtesy of Crosstown Rebel‘s Art Department recently, it would appear he could. Aquarius Heaven is well on his way to being part of the furniture on the darker side of house.

Conveniently, this mix appeared yesterday serving as a little taster of what we’ve been talking about:
Aquarius Heaven – Electronic Groove Podcast by Aquarius Heaven

Introducing Enfant…

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If you’ve ever frequented the dingy indie clubs of London town in recent years, I have no doubt that you will have seen these boys grace the stage in one of their previous guises. Their energy and sound has always been exciting. Their unique ability to get a new crowd singing along to their intelligently crafted and catchy hooks has never ceased to amaze me. They have an enviable knack of producing music that you love enough to believe, right there and then, that you’ve heard it a hundred times before. There is always an overwhelming sense of intrigue in the room and it is always complimented by a feeling that there are bigger things to come.

Now embracing all things electronic, I am excited to introduce you to their new project Enfant. They’re already creating a buzz on the scene, so we wanted to hear what’s what from them. They kindly offered us an exclusive interview and here’s what they had to say…

Introduce yourselves in your own words

We are an electronic music trio made up of twin brothers Robin and Ali Owen and Ed Ellis. Enfant only started this summer – but we all know each other from playing in previous bands together.  We can’t really tell you who does what as we’re not really sure anymore; everyone writes and everyone plays.  It’s a great way to work because you take the egos out and you come up with something that’s unique between the three of you.

What’s your sound and what’s coming up?

We’re definitely electronic and love combining pumped up bass lines with interesting melodies and big choruses. We’ve got several tracks in the pipeline that cover a few different musical bases; some are a bit darker, some more dance focussed and then some you can sing along to. We’re also into our electro, house and techno and will be exploring these sides of us.  There are a lot of tracks that we know we want to make which will be different but shouldn’t alienate people who were into these first few tracks; we think that’s a really exciting place to be. We’re also working on a couple of remixes that will be available soon.

Can you tell us a little bit about your first single Waking Up the Sun? What’s the story behind it?

Waking Up The Sun is pure hedonism. It’s about letting go of the rigmarole of life and just saying f**k it, life’s not about work, money or responsibilities. We want the song to bring out the memories of those nights/weekends/weeks we’ve all had (or we hope you’ve had) where nothing else mattered apart from the here and now.  For us it’s London, Glastonbury, Ibiza and many more. We’re just in the process of shooting the video for this track, so stay tuned for that too.

Waking Up The Sun by EnFANT

Can you each name a couple of people who’ve inspired you from the past and any who you admire now?

We have such a wide variety of influences between us it’s hard to pinpoint specifics, but if we had to then LCD Soundsystem would definitely be in there, as would the Chemical Brothers. Groove Armada’s Black Light album was a defining album for us. Then you’ve got the likes of Filthy Dukes and pretty much any French electro. We’re also really into Totally Enormous Extinct Dinosaurs and Alex Metric at the moment.

When can we catch you in action?

We’re DJing around London at the moment and our live show is coming very soon. We all come from backgrounds of playing in bands so we’re taking our music to the stage in a way electronic music often isn’t. We grew up playing live and it’s where we feel most comfortable.

If we see you at the bar, what will yours be?

We’ll be having a lager, a Guinness and a Bourbon. Robin has a bizarre allergy to lager and Ed can’t go a day without whiskey!

Download: Foster the People – Helena Beat (Enfant Remix)

To follow what these boys are up to go to: Enfant on Twitter // Enfant on Facebook

VOID

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Okay, okay, so hands up if you like a proper rave? All of you, good. Hands up if you like getting on a plane to Berlin just for its techno… Hands up if you like your parties underground, both physically and musically? Well, well, well, if your hand’s still up and you’re in London this Saturday, we’ve got something for you: VOID. Unlike the others, you need this void in your life! We spoke to Randolph, founder of the night, to tell you exactly why…

So Randolph, what’s your story?

I’m from Toronto, Canada and I’ve been living in London for the last 8 years.

VOID speaks of a love of techno, what are your techno creds?

To be perfectly honest with you, I don’t have a lot! I’ve been DJing over the last 5 years throughout London, but really only have taken becoming a full time producer over the last year.

That being said I’ve made great progress over the last 12 months from my productions getting recognition from Ben Klock, Raiz, and Chris Finke. Having one of my tunes played out at Berghain in Berlin has been one of the many highlights so far.

What’s VOID all about?

It might not seem so but the techno community in London is quite small.  In reality it has only several hundred dedicated followers and a hand full of nights available to artists. VOID was created for local artists who don’t ordinarily get the opportunity to truly play the music they love to the right crowd.

What can we expect on Saturday?

A very unique time! The weather forecast is expected to be a very pleasant 22c so the park and outdoor areas by Public Life are going to busy with techno heads.

In all seriousness, expect a warm and inviting crowd. Capacity is barely over 100, and the majority of people who come are into the music so it’s a party for like-minded individuals

Is it an after-party or a pre-party?

Its neither! We’re a day party!

The 1pm to 1am day slot was chosen because Public Life only has a license till 2am. It’s a very good selling point to ask someone, “Are you interested in partying in a former public toilet on Saturday afternoon?”

Tell us a little bit about the people you’ve booked to play…

Production wise, Roberto is the most accomplished of the DJs playing for VOID. He recently had 3 tracks played out in Berghain and has support from artists such as Marcel Dettmann, Ben Klock, Raiz, Steve Rachmad.

Jaded resident Chris Stanford will also be gracing the decks and returning to his techno roots on Saturday while the smallest member of VOID, Feronia will most likely be playing the biggest tunes of the night.

Some of the most interesting acts I’m keen to introduce to the crowd is the emerging talent that will be gracing the decks during the first half of the day. Maker + Meyer who are classically trained musicians will be the thumping out Berlin’s finest techno starting at 5:30pm. Manchester’s Setaoc Mass who is the youngest of us all at just 21 will be playing at 4:00pm and so far has several productions signed to labels and has a seriously bright future ahead of him.

Ed Frost and Simon Brandreth will get things going at the beginning of the day and are seriously keen to invite the early crowd with some mean tunes right from the start.

Finally, give me three words we can associate with VOID to make us drop our day plans and get into the toilet.

Fucking. Mean. Techno.

He’s not lying. We were there for the full 12 hours back in February and the atmosphere was fantastic; dedicated music fans there for all the right reasons. Have some breakfast and get yourself down there, you won’t regret it…

You can check out the event page here for more details. There’s also a promo mix from Setaoc Mass and Randolph’s killer track to get stuck into for good measure:  

 
Setaoc Mass VOID promo mix by -Randolph-

 
Surveillance by -Randolph-

 

Synth Seduction

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Just like almost everybody else, it was the Visionquest release Utopia that drew our attention to Canada’s Footprintz; another unstoppable synth pop pairing from Montreal in the shape of Addy Weitzman and Clarian North.

Last week their new podcast dropped for New York based, Autobrennt. It’s the perfect deterrent for those not-quite-the-weekend Wednesday blues.

AUTOBRENNT 029 – FOOTPRINTZ

If you close your eyes and try hard enough, you could actually be sat in Miami with your toes dangling in the pool…

Woody’s Roundup

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It’s finally June! Time for holidays, festivals, more sun and even more booze… Find your tents and pack your sunglasses; summer has arrived.

If you’ve still not recovered from last weekend’s antics, don’t bother, just go with it… I really hope you’re feeling decisive because once again there’s way too much to choose from this weekend and we’ve got our pick of the bunch to share with you. Tonight get yourselves down to one of the following: Detail with Brighton boy Russ Yallop at Basing House, Good:Vibe bringing disco legend Mario Basinov to a secret location in London, Lonely Hertz featuring the fantastic Ghostpoet alongside French Fries at The Nest, or the eagerly anticipated Diesel Island Disco with Goldie, Punks Jump Up, Aeroplane and the Kill Em All lads now at the Islington Metal Works (don’t forget you’ll need your passport to get in!)

Saturday’s got us in a spin too with many of our favourite DJs playing all across the city. Who to favour? Visionquest’s Lee Curtiss and Get Physical’s Audiofly take to yet another secret venue for Flying Circus London, Art Department host at Fabric playing alongside Richy Ahmed and Craig Richards, and James What heads up the Hypercolour Showcase with Dan Berkson of Pokerflat at The Nest. If you’re still not sold, how about Dollop throwing their 7th Birthday Series at the mighty Bussey Building in Peckham with Pariah and the Off Modern guys? The choice is yours…

Best get some rest at work today then and throw on some beats:

Space Shuttle (Leftside Wobble Edit) – Gil Scott-Heron
Into the Valley feat. Karl Dixon (Julio Bashmore Remix) – Classixx [via Green Label Sound]
On the Brighter Side (The Brighter Side Scuba Mix) – Sistol
Live Those Days Tonight (Tim Green Remix) – Friendly Fires
Organia – SebastiAn (Total dropped on Ed Banger this week – go get it!)
Hot Foot – Ambassadeurs
On! – Diplo & Douster

Woody 51.zip

Woody’s Roundup: Great Escape Special

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Last weekend eased us gently into a marathon summer of music and drinking in the sun. In the way that Field Day successfully curates a summer’s day, Great Escape manages to sustain the pace for three. It is one of those festivals that appears to effortlessly cherry pick the crème de la crème of future big players in the game and scatter them smoothly across a plethora of spaces.

Twin Shadow

This year was no exception, and our favourites from the hundreds of bands, DJs and artists you could have seen will form the theme of this week’s Woody’s Roundup. First up for us was Twin Shadow. Born in the Dominican Republic and raised in Florida, George Lewis Jnr relocated to New York and worked at his take on 80s new-wave. This year has already seen him take the stage at Coachella festival in the States, as well as a stretch of European tour dates. If you catch him soon, keep a keen eye on the drummer; he makes the live show.

On a sunny Friday afternoon, we reluctantly squeezed into a pitch black sweaty studio to assess the live credentials of a band who have been subtlety bubbling away in blog world since last summer. Young Empires are threesome Robert Aaron Ellingson, Jake Palahnuk and Matthew Vlahovich from Toronto. They put on a lively, upbeat performance that really gets you moving; great fun and very Kitsuné. My other key observation was that their cheeky frontman doesn’t wear shoes, which in a way sums up their charisma as a band perfectly. You’ll probably have to go and see them to understand what I mean.

Ghostpoet

Now, how to describe Ghostpoet… hypnotic? Melodic? Going places? All of the above? I’ve heard the name ‘Ghostpoet’ dropped into conversation everywhere lately and he recently got a coveted Maida Vale slot on Rob Da Bank’s show – so he must be good. By far and away my favourite performance of the festival, Ghostpoet’s tone and rhythm gives a nod to the distinctive style of Maxi Jazz. In short, perhaps somewhat controversially, my feeling is that he could be this decade’s updated, grimier and dubbier answer to Faithless.

Saturday came around all too quickly and led us down the path to the depressingly named Irish alternative rock band, Funeral Suits. Now, don’t be put off by the idea of music to play in a mortuary – it’s not. Great Escape described their music as ‘a shared love of epic, distorted guitars, blistering harmonious pop, art and electronica’. As a guide, I would probably say take out the math rock rhythmic oddities of the Foals, add some more drums and turn up the bass, but keep the melodies that soar over the top of Cassius and you’re probably about there; really enjoyable and a much happier find than the rest of your “funeral suit” Google searches.

In the basement of Audio, whilst the sun was still shining, Becoming Real (a boy who has clearly grown up in a world that welcomed the beginning of dubstep) put on a best practice performance in the art of sculpting off-beat electro tracks on the spot with just a Mac, mini keyboard and a nano pad or two. He’s probably more of an acquired taste, but certainly one for fans of weird dubstep-driven electronica.

Last but by no means least, Foster the People closed the festival for us. ‘Catchy melodies and hammering basslines’ we were promised, an even bigger performance by the boys from LA we got. With enough instruments to serve an orchestra, these boys are coming to get you. I’m expecting to see them on stage at every festival this summer. It’s happy, it’s sunny and it’s got mass-appeal, but it’s not the same old story… Watch out for the lead singer’s dancing feet, they’re captivating. They do a pretty cool t-shirt too.

It was an impossibility to see everyone, but since I got back I’ve been scouring the programme for any gaps in my repertoire. I’ve got a habit of believing the hype, because more often than not it’s founded. In order to avoid short-changing you here, I’ve also made sure the likes of Little Dragon, Florrie, Black Devil Disco Club, Lone, Beat Connection, Gang Gang Dance, Polarsets, Charli XCX, The Holidays and Suuns are all represented in a ZIP too.

The Great Escape 2011 - part 1 [GE2011.zip1]
Twin Shadow – I Can’t Wait // Young Empires – Rain of Gold // Ghostpoet – Cash & Carry Me Home ft. Kano (if you don’t like Kano, I’d buy the original…) // Funeral Suits – Colour Fade // Becoming Real – Get Hype // Foster the People – Pumped Up Kicks (MNDR 4 – Track Remix)

The Great Escape 2011 - part 2 [GE2011.zip2]
Beat Connection – Silver Screen (Young Montana Remix) // Black Devil Disco Club – To Ardent ft. Nancy Sinatra (Grovesnor Remix) // Charli XCX – Stay Away (T.Williams Dub) // Gang Gang Dance – House Jam // Little Dragon – Feather (Fromwood Remix) // Lone – Once in a While // Polarsets – Morning // Suuns – Optimist // The Holidays – Moonlight Hours (Jonathan Boulet Remix)