Infinity

We wrote about the collaboration between Luca C and Ali Love that spawned Infinity Ink back in November when Lee Foss included it on his Spybar DJ Mag covermount CD, and we were very excited when a certain vocally-bassy-goodness caught our ears while listening to Damien Lazarus‘s set from Burning Man this year. it seems Games isn’t the only track we can expect from the pair, although it might be a little wait on this next one Infinity, after Games was just released this week on Hot CreationsPost Summer Sampler.

Check it out at 1hr 21minutes into this excellent mix.
Damian Lazarus on the Robot Heart Bus – Burning Man 2011 by Damian Lazarus

Eats Everything for DJ Mag


We had to interrupt this Friday’s Woody’s Roundup broadcast with a new mix from Eats Everything from our friends at DJ Mag. Two in one week, both absolutely brilliant and totally different, this one is packed full of old school house and disco and makes you want to grin at everyone (I listened to it on the tube, with consequences).

DJ Weekly Podcast 65: Eats Everything by djmag

Noice!


Alex Nagshineh is releasing his EP How I Escaped My Certain Fate on Noice! on 14 December, and it’s a very tasty number from a new producer I didn’t know much about before. It turns out he’s learnt from the best, becoming a protege of Martin Dawson after meeting in a club in 2007, and since then has been putting his spin on the classics, such as Und’s Fox In The Box.

Alex is now part of the Lo*kee collective and his remixes for James Teej, Marc Ashken and Penguin Prison are all gaining widespread support from industry heads and receiving specialist radio play on the likes of Capital FM and Pulse.

The EP includes a remix from Culprit Label owners, Droog, as well as the excellently dark B-side Buy One Get One 3: have a listen here:
Buy One Get One 3 (original mix) by Alex Nagshineh

He’s also giving away his remix of Azari & III‘s Manic (DJ Mag gave it 8* and called it ‘haunting disco-noir’) as a free download here:

AZARI AND III – MANIC – ( Alex Nagshineh remix) by Alex Nagshineh

Visionquest mix Fabriclive 61

In celebration of Monday 5 December’s release of Fabric61, the latest in the legendary compilation series, mixed by Visionquest, Fabric are giving us a little taster video.

Take a Visionquest with fabric 61 from Fabric London on Vimeo.

Visionquest founder member and Detroit techno pioneer Shaun Reeves is in the houuuuuse this Saturday, playing alongside Brandt Brauer Frick, and the Life and Death showcase with Clockwork and Thugfucker. They’ll also be streaming the entire night on Awdio for your re-living pleasure.

Have a listen to Shaun Reeves’ Visionquest podcast here.

WildKats


When I think of the WildKats I feel like that little boy in the John Lewis advert. There’s this amazing gift all wrapped up and ready to give (although a lot of people have been saying the parcel in the advert is a suspiciously similar size and shape to a certain sinister present in Se7en) but it can’t be shared until the right time. It’s been a long wait but since last year when Edinburgh’s Stuart Sandeman and Scott Dickie met US visitor Corey Baker in East London there’s been a buzz of under-the-surface activity, honing re-edits and basslines, getting noticed by the movers and shakers at the right labels and the press that follow them. Making sure everything is ready. In fact, one of my favourite tracks Your A Freak has been on soundcloud for nearly a year now without a release date.

Your A Freak by WILDKATS
System Crank- Russ Yallop & Wildkats by WILDKATS

Well Christmas is here, and we have not one but three very special presents. Your A Freak is to be released later this month on Hourglass Records, the mighty System Crank with Russ Yallop is coming in December on Hot Creations, and the smooth WildKats & Tboy To Be EP (with a Miguel Puente remix just to put the icing on the cake) was released last week on Neim.
Wildkats & Tboy – To Be EP – Neim Records by WILDKATS
And that’s not the only Miguel Puente link – both artists were rightly picked for Hot Creations’ Hot Waves 2, released yesterday, Puente for After Midnight in Your Bed and WildKats for the N.W.A.’s Express Yourself sampling Perpetrating.
Wildkats – Perpetrating – Hot Waves Sampler Vol 2 by WILDKATS

On top of a whole host more releases on labels including Akbal Music, Stranjjur and Lower East taking us well into 2012, there are a few gigs to get yourselves down to, including the Hourglass Records showcase at a secret East London venue on 16 December alongside Puente & Rosch, and all-terrain promoter legends Fresh Out the Box‘s Gottwood warm-up at Basing House 20 January 2012. Unleash the WildKat!

Second Chances and New Romances

This EP series from Denmark’s Noir Music just keeps on getting better. In fact, they’re generally releasing some shit hot stuff with some heeeeavy basslines at the moment. Started by DJ René Kristensen in 2007, better known as Noir, and now boasting some of the most forward-thinking (and darkest) artists out there, including Danny Daze, Maceo Plex and Huxley. And let’s not forget Noir himself, whose collaboration with Haze on Around has been everywhere since the summer after some finishing touches from Solomun, and whose album is also set for release in early 2012.

Second Chances and New Romances Vol 3 was released last Monday, and includes the mighty Larse with the follow up to For Real and The More I Want, entitled So Long.
Larse – So Long (Snippet) by Larse

Also noteworthy is newcomer Den Ishu’s New Luv BAAASSSSSSSS!!!
Den Ishu – New Luv (snippet) by Den Ishu

Bowski Winter Mix

We’ve been writing this blog for two-and-a-half years now so hopefully you might have a bit of an understanding of what artists we just implicitly trust, and which ones never fail us. So much so that when they do a new mix we post it, and you download it. You don’t even really need any words from me. Bowski is one of them.

Bowski – Winter Mix

Tracklisting:
Sleep On – Bowski
Heimat (Robag’s Turmkolle Rekksmow) – Kollektiv Turnstrasse
Take Me Away (Schatrax Remix) – Matthew Burton + Nick Lawson
Touch Me – Hunter_Game
Brooklyn Bullets – Neuroxyde + Aki Bergen
Signa – Kaiserdisco
Krambambuli – Animal Trainer
Hold On – Florian Blauensteiner
Twilight – Patlac
Braumstig (Rodriguez Jr Remix) – Joachim Pastor
Stranger In The Night Ft. Tom Cowcher – Bowski
Dayz – Mathew Jonson
Faking Jazz Together (Michael Mayer Remix) – Connan Mockasin

He’s been busy on the production front too, so he’s shared a little preview minimix here:
Upcoming tracks by Bowski

Hot damn I can’t wait to see him at The Warehouse Project on 2 December…

A Chrome Gnome Fiasco

The boys of Public House have been busy recently and we thought it was about time we caught up with them again, especially with some extra special treats on the horizon. Here’s resident Sidd on finding Aladdin’s cave, avoiding East London’s gurning perma-tans, the rise of the Chrome Gnome and their love of a good Fiasco…

Last time we spoke to you, back in February last year, you were gearing up to welcome Parisian DJ Yakine. There’s been a lot happening since then. How was that party and what have you been up to since then?

That party seems so long ago! It was a great party in one of our favourite locations under a noodle bar, it was perfect sized and had a great vibe. Joss and Craig absolutely drilled it out that night, great memories. What have we been up to since then? Eerrm, where do I start, since then we have given debuts to Dario Zenker, Waifs & Strays, Terje Bakke, Dana Ruh and brought Jef K back to London after a long absence. We did our first party in Berlin which was incredible, in a brilliant little club called Kleine Reise, the residents there also played a party with us over here and brought over Mathew Jonson‘s brother Hrdvsion which was great. We have started a side project called ‘The Fiasco’ which is a series of more intimate events that showcase our residents and allow us to bring in some of our friends to play. We did a great launch party at Vogue Fabrics in Dalston, a quirky basement owned by an amazing guy who is probably the most flamboyant character we have ever met. Since then we celebrated our second birthday in the cellar of a pub, did a Fiasco in an art studio in Aldgate on August Bank Holiday and we have a party on the 26th in a venue so weird we can’t really describe it, I think I called it Aladdin’s cave-meets-brothel, but that doesn’t do it justice. We really like doing these super intimate parties as it goes back to the start when we threw parties for our mates. They are always really special and lots of fun.

We have big things planned for the rest of the year a NYD party and an amazing booking for February, keep your eyes locked on our Facebook page for news on that. It’s been a mental few years but really great times, great people and great music.

We’ve always loved the distinctive Public House party spirit and its innovative venue choices. Since we last spoke to you, London has seen a huge increase in Warehouse venues and ‘TBAs’ on Resident Advisor. How are you guys making sure Public House still holds the key when it comes to throwing bloody good parties?

Well, I have always bitched about this (probably with a touch sour grapes), but it seems that everyone in East London runs a party! I’m not saying that we have the best DJ’s and promote the best parties in the world but I think that when we started Public House small parties were not so common place, we came into the scene with a fresh ethos and a concept which was unique at the time. Unique spaces, small capacity and bringing in artists for debuts, we build a trust and a reputation from nothing. With the close of many larger clubs (RIP The END) and also the mass popularity of house and techno in London it seems that there are so, so many nights on these days, you only have to look on RA on an average Saturday to see the volume of events on at a time.

The pond is only so big so we started doing parties less often and put more thought into the makeup of each one. I think people will put more effort in to work with you if they know there is something unique there, I mean who wants to go to a bar-cum-club, pay £10 entry to hear a guy with one signed track on a cool label who can’t string a DJ set together? Especially when you are surrounded by a crowd that resembles a greased up, gurning, perma-tanned mess! We now search, really search, for the perfect venue that provides the atmosphere which our crowd demand, and so they should, if they have to travel a bit farther so be it. It’s a labour of love so you really do get what you put into a party

Chrome Gnome is a production collaboration between two of the Public House residents – Finn Casey and yourself. How did this come about?

Finn had been producing for a few years on and off, but took the plunge to quit his job and go full time about a year ago. I had been tinkering on Ableton and we had spoken about joining forces so we decided to give it a go together. Finn is really the brains behind the operation, and he produces loads of different styles of electronic music with a few different people. I’m more the drunk guy in the background making stupid suggestions. We are still finding our style but in the last few months it has started to come together a bit more and we are starting to see the fruits of our labour.

The Chrome Gnome tracks we’ve heard so far breathe that cheeky kind of energy and bouncy fun that we relish. Can you tell us a bit about the Chrome Gnome sound, District Raw and what’s next up for you and Finn?

The Chrome Gnome sound, hmmm, so far it’s been a real smorgasbord, the track released on District Raw was called The Fiasco and tried to capture the energy of a Public House residents night. It’s normally pretty raucous! That worked really well but then currently we have been into a deeper and spacier style. So I’m struggling to really say that we have one particular sound. I think we will probably always change it up because, that’s what keeps the ideas flowing.

As for the District Raw connection, Fabio Giannelli who runs the label was our first guest, Public House was his UK debut and we have always stayed in touch. so when Finn and i felt we had something worthy of his ears we sent him a couple of tracks! Things kind of fell into place from there really, we are really proud to be on his label is it has a seriously solid back catalogue and he is a good guy to know! I won’t reveal give to many details but there are some more things in the pipeline with him, all of which are really exciting!

Next for me and Finn, probably polishing off a few tunes. Then we’ll focus on world peace, solving Finns debt crisis and ensuring we qualify for next year’s X-Factor.

Finally, give us the big sell for 26th November…

Our next event is on the 26th of November and promises to be a cracker, we have found a seriously weapons grade venue and I’m sure it’s gonna get wild!

Also, I have just done a Public House podcast to get your ears round…

And ‘like’ us on Facebook cos we have just secured another crazy space for February, with another UK debut lined up too!

Agree to Disagree

I’ve been thinking about the haunting sounds of Hackman for a while now. From the magnificent Close from Greco Roman in June (although it seems I am extremely late to the Hackman-party; he’s been releasing since 2009), to the sublime remix of Garden by label-mates Totally Enormous Extinct Dinosaurs, and now the latest EP Agree to Disagree out on the RAMP Recordings sublabel PTN. 22-year-old Leeds resident (but soon to move to Bristol) Ben Hackman has shifted his sound from garage roots, maintaining strands of UK Funky at a more club-friendly 130bpm, to a characteristically full and bass-y style with just captivatingly beautiful melodies and vocals. I can’t get enough, so I was pretty happy that as soon as I started research for this post I discovered there’s a lot of things I can share with you.

Hackman – Close by Greco-Roman

Garden (Hackman Remix) by T-E-E-D

Hackman – You Deliver ~ free download by RAMP Recordings / PTN

Agree to Disagree doesn’t disappoint, and it makes me even happier that this little gem is from a forthcoming album, As Above, So Below.
PTN010 / Hackman – Agree To Disagree (Radio Edit) by RAMP Recordings / PTN

And last but not least, you can download his FACT mix for a taste of his mixing skills too:
FACT mix 263 – Hackman (Jul ’11)
Tracklist:
Alicia Keys – You Don’t Know My Name (Resketch Disco Refix)
Emptyset ft Cornelius Harris – Altogether Lost (Behling & Simpson remix)
Vessel – Blushes
Behling & Simpson – Without You
Epworth – Love Lost, Love Found
El Kid – Le Corbusier
Avant – Seperated (Jorge Takei Remix)
Vessel – Howl
Chris James – Legend Has It (Payme House Dub)
J Phlip – Fever feat. Lailah Reich – KRL Remix
Maya Jane Coles – Focus Now
Outboxx – Blueberry Lemon
Nino Hernandez – Funk ‘c’
James Fox – Close your Eyes
A1 Bassline – Blue Velvet
JTRP – Shady
Tessela – Darlene, Please
Hackman – Sunburst

You Can’t Buy Love?

There have been a fair few moments this summer where we’ve found ourselves feeling inquisitive about the unique & intriguing sound waves gracing our ears. Aquarius Heaven has been one of them. After hooking up with the boys of DoP in 2005 in Paris, barely touched by the traditional 4/4 of dance music, Brian Brewster honed his hip hop and dancehall roots into something a little bit more distinctive. Something he recently described as wanting “to break all musical rules on this F*****G planet and make electronic music exciting like back in the Detroit days”.

From this meeting a musical partnership with DoP was born. Sometime later, DoP mixed the Watergate 06 album in June 2010. The mix included a collaboration between the two acts in Before You Go and simultaneously landed Aquarius Heaven on Berlin’s bursting roster of underground electronic talent.

May this year saw the Circus Company label, already aligned with the likes of DoP, release his first EP 7 Days as a 12”. Later this summer So Low, a track from the 7 Days EP, featured on Damian Lazarus‘ devastatingly dark, yet superbly captivating, Get Lost 4 compilation and really set alarm bells ringing in all the right places.

His latest EP, Can’t Buy Love, dropped on Wolf + Lamb in September; a label that, on many different levels over the past couple of years, have never shied away from challenging the existing boundaries of electronic music, in fact they’ve helped push them that little bit more…

As the spoken vocal of Can’t Buy Love hypnotises us to the sound of ‘…you can pay for sex, but you can’t buy love’, you can’t help but wonder whether Aquarius Heaven can achieve the same success as the weird and wonderful ramblings of Seth Troxler‘s curious mind.

After Can’t Buy Love appeared on Radio 1′s Essential Mix courtesy of Crosstown Rebel‘s Art Department recently, it would appear he could. Aquarius Heaven is well on his way to being part of the furniture on the darker side of house.

Conveniently, this mix appeared yesterday serving as a little taster of what we’ve been talking about:
Aquarius Heaven – Electronic Groove Podcast by Aquarius Heaven